{"created":"2023-05-15T14:46:32.403322+00:00","id":10097,"links":{},"metadata":{"_buckets":{"deposit":"36ef3565-cea9-4c7a-8655-3be0c92aa191"},"_deposit":{"created_by":11,"id":"10097","owners":[11],"pid":{"revision_id":0,"type":"depid","value":"10097"},"status":"published"},"_oai":{"id":"oai:ksu.repo.nii.ac.jp:00010097","sets":["14:8:981"]},"author_link":["22116"],"control_number":"10097","item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2017-10-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"107","bibliographicPageStart":"95","bibliographicVolumeNumber":"31","bibliographic_titles":[{"bibliographic_title":"京都マネジメント・レビュー"},{"bibliographic_title":"Kyoto Management Review","bibliographic_titleLang":"en"}]}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"本稿は，優れたマーケティングを行っているオーケストラを見つけるために聴衆の鑑賞頻度を比較することで十分なのかを明らかにする．ここでは，各楽団の鑑賞頻度が市場浸透度に影響された理論的上限値をもち，その結果は楽団の地域的偏在に関わらず生じると示される．これにより，少なくとも日本のオーケストラにおいては，聴衆の鑑賞頻度を単純に比較すべきではないという答えが導かれる．","subitem_description_type":"Abstract"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"京都産業大学マネジメント研究会"}]},"item_10002_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA1167166X","subitem_source_identifier_type":"NCID"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"1347-5304","subitem_source_identifier_type":"PISSN"}]},"item_10002_version_type_20":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"涌田, 龍治","creatorNameLang":"ja"},{"creatorName":"WAKUTA, Ryuji","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2018-05-18"}],"displaytype":"detail","filename":"KMR_31_95.pdf","filesize":[{"value":"477.6 kB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"KMR_31_95.pdf","url":"https://ksu.repo.nii.ac.jp/record/10097/files/KMR_31_95.pdf"},"version_id":"9a54a547-6c00-46f1-8870-f079809369b2"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"ディリクレモデル","subitem_subject_scheme":"Other"},{"subitem_subject":"鑑賞頻度","subitem_subject_scheme":"Other"},{"subitem_subject":"オーケストラ","subitem_subject_scheme":"Other"},{"subitem_subject":"消費者行動","subitem_subject_scheme":"Other"},{"subitem_subject":"アート・マーケティング","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"鑑賞頻度を日本のオーケストラ同士で比較してよいか : 首都圏在住者への実証分析","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"鑑賞頻度を日本のオーケストラ同士で比較してよいか : 首都圏在住者への実証分析","subitem_title_language":"ja"},{"subitem_title":"Is Audience Attendance Frequency an Effective Benchmark for Good Marketing for Japanese Orchestras? : Empirical Analysis of Tokyo Metropolitan Area Residents","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"11","path":["981"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2018-05-18"},"publish_date":"2018-05-18","publish_status":"0","recid":"10097","relation_version_is_last":true,"title":["鑑賞頻度を日本のオーケストラ同士で比較してよいか : 首都圏在住者への実証分析"],"weko_creator_id":"11","weko_shared_id":-1},"updated":"2023-12-08T02:52:47.436190+00:00"}