@article{oai:ksu.repo.nii.ac.jp:00010540,
 author = {鈴木, 雅恵 and SUZUKI, Masae},
 journal = {京都産業大学総合学術研究所所報},
 month = {Sep},
 note = {This essay attempts to compare the imagery of the “horse”in the Wuhan Opera version of Richard III （entitled Yu Ma Ji,《馭馬記》with the Japanese productions of Noda Hideki and Ninagawa Yukio. This is also a small part of a large project entitled “Shakespeare in Asia” which I have been working on since 2002, and I hope I can further develop my research in that context.},
 pages = {163--173},
 title = {「馬だ！馬をよこせ！代わりに俺の王国をくれてやる」 : 『リチャード三世』の上演に見る「馬」の表象と日中のシェイクスピア受容},
 volume = {15},
 year = {2020},
 yomi = {スズキ, マサエ}
}