{"created":"2023-05-15T14:41:28.944973+00:00","id":1374,"links":{},"metadata":{"_buckets":{"deposit":"bb13f891-afe0-4bde-bfb2-4139f2298fb6"},"_deposit":{"created_by":3,"id":"1374","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"1374"},"status":"published"},"_oai":{"id":"oai:ksu.repo.nii.ac.jp:00001374","sets":["14:1:41"]},"author_link":["19496"],"control_number":"1374","item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2012-03","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"369","bibliographicPageStart":"355","bibliographicVolumeNumber":"45","bibliographic_titles":[{"bibliographic_title":"京都産業大学論集. 人文科学系列"}]}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"ギリシア悲劇以来の長い演劇史の中で，現実そっくりの舞台をつくることは19世紀後半から試みられるようになったにすぎない。その時代には，芝居がかった演劇手法は排除され，自然主義的な演劇が高く評価された。ゾラの主導のもと，イプセン，チェーホフ，トルストイらが自然主義的作品を発表し，それまでは舞台に載せられなかった世界が描かれるようになった。 トルストイが異常なほどにシェイクスピアを嫌悪していることはよく知られている。特に，『リア王』を挙げて詳細に批判している。それにもかかわらず，シェイクスピアのこの戯曲は現在も傑作として名高い。ヤン・コットが言うように，現代の演劇に通ずる要素をもっているからであり，ベルトルト・ブレヒトはそこにシアトリカルな演劇の可能性を見出した。 ブレヒトは〈異化〉という概念で新たな演劇の方向を探ったが，その際には意図的にシアトリカルな身ぶりを求め，同化を目的とする演劇とは違う楽しみを観客に与えようとした。それは観客に考えることを期待したのであり，そのために異化という手法を作品の中に導入した。 彼はシェイクスピアなどの演劇の手法を再利用し，それによって，自然主義以前の演劇の手法を復権させ，新しい演劇の可能性を追求した。","subitem_description_type":"Abstract"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"京都産業大学"}]},"item_10002_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN0006019X","subitem_source_identifier_type":"NCID"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0287-9727","subitem_source_identifier_type":"PISSN"}]},"item_10002_version_type_20":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"時田, 浩","creatorNameLang":"ja"},{"creatorName":"TOKIDA, Hiroshi","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2017-09-30"}],"displaytype":"detail","filename":"AHSUSK_HS_45_355.pdf","filesize":[{"value":"386.5 kB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"AHSUSK_HS_45_355.pdf","url":"https://ksu.repo.nii.ac.jp/record/1374/files/AHSUSK_HS_45_355.pdf"},"version_id":"ef692767-6543-4463-b4bc-b71148bd01ec"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"自然主義","subitem_subject_scheme":"Other"},{"subitem_subject":"リア王","subitem_subject_scheme":"Other"},{"subitem_subject":"トルストイ","subitem_subject_scheme":"Other"},{"subitem_subject":"異化","subitem_subject_scheme":"Other"},{"subitem_subject":"ブレヒト","subitem_subject_scheme":"Other"},{"subitem_subject":"Naturalism","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"King Lear","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Tolstoy","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"alienation","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Brecht","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"演劇の仕かけ : 自然主義からブレヒトの異化へ","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"演劇の仕かけ : 自然主義からブレヒトの異化へ","subitem_title_language":"ja"},{"subitem_title":"The Trick of Drama : From Naturalism to Brechtian Alienation","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"3","path":["41"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2017-09-30"},"publish_date":"2017-09-30","publish_status":"0","recid":"1374","relation_version_is_last":true,"title":["演劇の仕かけ : 自然主義からブレヒトの異化へ"],"weko_creator_id":"3","weko_shared_id":-1},"updated":"2023-07-31T06:12:52.820781+00:00"}