@article{oai:ksu.repo.nii.ac.jp:02000130,
 author = {田中, 里奈 and TANAKA, Rina},
 journal = {京都産業大学論集. 人文科学系列},
 month = {Mar},
 note = {In 1963, the Japanese theater company Tōhō created the first full-scale Japaneselanguage production of the Broadway musical My Fair Lady with an all-Japanese cast to introduce American musical theater to Japanese audiences. Despite wide recognition of My Fair Lady as a milestone in musical theater history in and outside Japan , the production's long-lasting popularity in Japan and its practical background have been overlooked in the history written from a Broadway-centric perspective. Drawing on evidence from Japaneselanguage reviews and interviews, this study explores how My Fair Lady has been performed in Japan, which factors substantially changed the production, especially discussing why the Takarazuka Revue's graduates often appeared as Eliza. It also analyzes how the Japanese notion of the Broadway musical developed within local context over time to develop future insights of a possible comparative viewpoint for musical theater studies.},
 pages = {133--145},
 title = {The Broadway Musical My Fair Lady as Japanese Evergreen Repertoire},
 volume = {57},
 year = {2024},
 yomi = {タナカ, リナ}
}