{"created":"2025-04-08T01:54:38.875147+00:00","id":2000371,"links":{},"metadata":{"_buckets":{"deposit":"ade51d47-f4a9-4fd1-80ed-179d6c5983de"},"_deposit":{"created_by":11,"id":"2000371","owner":"11","owners":[11],"pid":{"revision_id":0,"type":"depid","value":"2000371"},"status":"published"},"_oai":{"id":"oai:ksu.repo.nii.ac.jp:02000371","sets":["14:1:1744074550108"]},"author_link":["7580"],"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2025-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"115","bibliographicPageStart":"95","bibliographicVolumeNumber":"58","bibliographic_titles":[{"bibliographic_title":"京都産業大学論集. 人文科学系列","bibliographic_titleLang":"ja"}]}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"本研究は，1940 年代のアンドレ・ブルトンの美術論における「プリミティフ」という形容詞に焦点をあてながら，ブルトンが1945 年にハイチで出会った画家エクトル・イポリットに関する論考を分析する。その重要性にもかかわらず，この出会いはこれまであまり注目されてこなかった。ブルトンはイポリットの芸術を高く評価し，1948 年に「エクトル・イポリット」を執筆している。\nイポリットの作品がブルトンの審美的な思考に対して与えた影響の射程に焦点を当てる。ブルトンにとって「プリミティフ」は西洋の合理主義的，物質偏重主義的な世界の見方を批判する有効な手段であり，イポリットの芸術は，戦後シュルレアリスムの再生に不可欠な，純粋で本質的な美を体現しているとみなされた。ブルトンのテクストを分析し，イポリットの絵画《パパ・ロコ》が1947 年の国際シュルレアリスム展のカタログの冒頭を飾った理由を考察する。イポリットの作品が西洋中心主義的な美術の枠組みを超えて，より多様な表現を受け入れさせるような新しい見方を提示し，戦後のシュルレアリスムの発展に重要な役割を果たしたことを示す。","subitem_description_type":"Abstract"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"京都産業大学"}]},"item_10002_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN0006019X","subitem_source_identifier_type":"NCID"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0287-9727","subitem_source_identifier_type":"PISSN"}]},"item_10002_version_type_20":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"HASEGAWA, Akiko","creatorNameLang":"en"},{"creatorName":"長谷川, 晶子","creatorNameLang":"ja"},{"creatorName":"ハセガワ, アキコ","creatorNameLang":"ja-Kana"}],"familyNames":[{"familyName":"HASEGAWA","familyNameLang":"en"},{"familyName":"長谷川","familyNameLang":"ja"},{"familyName":"ハセガワ","familyNameLang":"ja-Kana"}],"givenNames":[{"givenName":"Akiko","givenNameLang":"en"},{"givenName":"晶子","givenNameLang":"ja"},{"givenName":"アキコ","givenNameLang":"ja-Kana"}],"nameIdentifiers":[{"nameIdentifier":"7580","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_access","date":[{"dateType":"Available","dateValue":"2025-04-08"}],"displaytype":"detail","filename":"AHSUSK_HS_58_95.pdf","filesize":[{"value":"3 MB"}],"format":"application/pdf","licensetype":"license_note","url":{"label":"AHSUSK_HS_58_95.pdf","url":"https://ksu.repo.nii.ac.jp/record/2000371/files/AHSUSK_HS_58_95.pdf"},"version_id":"7a6546a9-0131-4426-9ca5-75fe1c2b19f3"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"シュルレアリスム","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"ハイチ","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"アンドレ・ブルトン","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"エクトル・イポリット","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"絵画","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"Surrealism","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Haiti","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"André Breton","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Hector Hyppolite","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"art","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"1940年代のアンドレ・ブルトンの美術論における「プリミティフ」 : エクトル・イポリット論を中心に","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"1940年代のアンドレ・ブルトンの美術論における「プリミティフ」 : エクトル・イポリット論を中心に","subitem_title_language":"ja"},{"subitem_title":"The Use of the Adjective “Primitive” in André Breton’s Writings on Hector Hyppolite","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"11","path":["1744074550108"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2025-04-08"},"publish_date":"2025-04-08","publish_status":"0","recid":"2000371","relation_version_is_last":true,"title":["1940年代のアンドレ・ブルトンの美術論における「プリミティフ」 : エクトル・イポリット論を中心に"],"weko_creator_id":"11","weko_shared_id":-1},"updated":"2025-04-08T02:03:42.971564+00:00"}