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日本のオセロは何人（なにびと）か : 大和と沖縄におけるシェイクピア受容と上演
http://hdl.handle.net/10965/246
http://hdl.handle.net/10965/246a7e533cf-86ee-4988-84ea-07c8bd01fd0c
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
AHSUSK_HS_31_215.pdf (761.2 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2017-08-18 | |||||
| タイトル | ||||||
| タイトル | 日本のオセロは何人（なにびと）か : 大和と沖縄におけるシェイクピア受容と上演 | |||||
| 言語 | ja | |||||
| タイトル | ||||||
| タイトル | Who are the Japanese Othellos? : Reception and Productions of Shakespeare in Mainland Japan and Okinawa | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | eng | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | アジアのシェイクスピア上演 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 沖縄 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 大和化 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 植民地化 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | オセロ | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Shakespeare in Asia | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Okinawa | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Yamatonization | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Othello | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Colonization | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| 著者 |
鈴木, 雅恵
× 鈴木, 雅恵 |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | This paper, focusing on the productions of Othello in Japan, is intended to be the introductory part of a larger theme, "The Reception and Productions of Shakespeare in Asia — Starting from Mainland Japan and Okinawa —". In the past ten years, or so, the study of the productions of Shakespeare in non-English speaking countries, including Asia, is starting to attract academic interest. Japanese productions seem to be of particular interest for the variety of production styles they take. However, there seems to be a tendency to discuss the Japanese Shakespeare based only on the knowledge of the productions that tour to Western countries or the ones that have been drawing international attention in the pseudo-Western, "global" city, Tokyo. But adaptation of Shakespeare into local plays has continued to exist in the regional theatres since the early twentieth century, and we should keep them in mind, especially when we discuss "Japanese Shakespeare" in the Asian context. Moreover, though Shakespeare productions in many parts of Asia and Africa often represent the importation and possible transgression of a foreign and potentially dominant culture, in East Asia, Shakespeare reached this region almost completely apart from the British colonial enterprise. Young Japanese, Chinese, and Korean intellectuals deliberately sought out Shakespeare themselves as part of their quest to overcome what were called "feudal tendencies," and this effort produced multiple layers in the reception of the bard's works. The first adaptation of Othello in Japan in 1903 is particularly interesting, for in that version, Venice was relocated to Tokyo, and Cyprus to Pong Hu Island (a part of Taiwan), reflecting the nation's victory in the first Sino-Japanese War. In this paper, I would like to examine how Othello in mainland Japan and Okinawa has been transformed in the hundred-year history, focusing on the modernization (or globalization) policy of Japan and the Yamatonization and ethnic identity of Okinawa, the region which can be regarded as a link between Japan and the rest of East Asia. |
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| 書誌情報 |
京都産業大学論集. 人文科学系列 巻 31, p. 215-228, 発行日 2004-03 |
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| 出版者 | ||||||
| 出版者 | 京都産業大学 | |||||
| ISSN | ||||||
| 収録物識別子タイプ | PISSN | |||||
| 収録物識別子 | 0287-9727 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN0006019X | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
