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『イリアス』に見られるπορφύρεοςの文学的効果
http://hdl.handle.net/10965/345
http://hdl.handle.net/10965/3452aae31ac-2e22-4de5-8427-a70ea928884a
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
AHSUSK_HS_42_136.pdf (193.8 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2017-09-30 | |||||
| タイトル | ||||||
| タイトル | 『イリアス』に見られるπορφύρεοςの文学的効果 | |||||
| 言語 | ja | |||||
| タイトル | ||||||
| タイトル | The Metaphorical Function of πορφύρεος in the Iliad | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | eng | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | πορφύρεος (紫) | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 色｜『イリアス』｜イメージ｜ギリシャ | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | πορφύρεος (purple) | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | colour | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | the Iliad | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | imagery | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Greek | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| 著者 |
西塔, 由貴子
× 西塔, 由貴子 |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | This paper attempts to understand how the word πορφύρεος (purple) functions in the Iliad. What I try to pursue is the metaphorical function of πορφύρεος in the story of the Iliad; how the presentations of πορφύρεος function during the story and how those contexts are associated with each other. The method employed is: I look at every presentation of πορφύρεος in the Iliad, analyse its referents, and examine its context to explore how the poet organises this word in his story, which I believe is an intentional placement. Hence, my questions are: How are those appearances of πορφύρεος connected with each other? How do they metaphorically affect their contexts? What do they symbolise during the story? I also integrate my investigation with my previous papers that examined other colour terms and propose my point of view on πορφύρεος; the poet properly employs the term πορφύρεος, possibly between κυάνεος and ρόδον, in order to strengthen the darkness of the context through an imagery connection that is represented as awe-centred, at the same time composing a parallel between the negatively-presented Trojans and the positively-presented Achaians. This is my fundamental standpoint in this paper. Therefore, my conclusion points to the poetʼs sophisticated skill in choosing his words, together with his creative thinking in composing his story. | |||||
| 書誌情報 |
京都産業大学論集. 人文科学系列 巻 42, p. 136-157, 発行日 2010-03 |
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| 出版者 | ||||||
| 出版者 | 京都産業大学 | |||||
| ISSN | ||||||
| 収録物識別子タイプ | PISSN | |||||
| 収録物識別子 | 0287-9727 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN0006019X | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
