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「巨匠とマルガリータ」の演出の復元
http://hdl.handle.net/10965/244
http://hdl.handle.net/10965/244d90cf88e-6c20-4401-ae3b-8aba47d064ad
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
AHSUSK_HS_31_175.pdf (2.0 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2017-08-18 | |||||
| タイトル | ||||||
| タイトル | 「巨匠とマルガリータ」の演出の復元 | |||||
| 言語 | ja | |||||
| タイトル | ||||||
| タイトル | Реставрация Балета «Мастер и Маргарита» | |||||
| 言語 | ru | |||||
| 言語 | ||||||
| 言語 | rus | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | ブルガーコフ | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 巨匠とマルガリータ | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | バレー | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | エストニア | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Bulgakov | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | "Masters and Margarita" | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | ballet | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | "Estonia" | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| 著者 |
クツェレヴァ・ジャメ, アンナ
× クツェレヴァ・ジャメ, アンナ |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | In the introduction, I surveyed previous studies of "Masters and Margarita" by M. A Bulgakov and pointed out that this work has hardly been examined from the point of the dramatic art. In this paper, I studied this masterpiece not only from the point of the dramatic art, but also from the historical point of view. In the main chapters, I examined the situation of the artists and the writers during the Soviet Union regime in Russia, and uncovered the reason why the ballet, "Masters and Margarita", directed by Mai Murdmaa, an Estonian artist, was secretly put on the stage of the Tallinn National Opera/Ballet Theatre in 1986. The main contribution of the present paper is that it discovered the stage directions of "Masters and Margarita", which had completely disappeared from the records. Performances of ballet were stopped by the censorship of the Soviet Government after it had been performed only three times. All the stage directions were lost but hav now been gathered from the very few materials I found. In this paper, the whole picture of the historically and academically valuable stage directions of the ballet, "Masters and Margarita" is brought to light. Throughout this paper, I have revealed the complexities of M. A. Bulgakov's style and the complexities we encounter when we try to interprete the opera literature by M. A. Bulgakov, who was a writer, a philosopher, a romantist, and a humorous satirist. |
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| 書誌情報 |
京都産業大学論集. 人文科学系列 巻 31, p. 175-196, 発行日 2004-03 |
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| 出版者 | ||||||
| 出版者 | 京都産業大学 | |||||
| ISSN | ||||||
| 収録物識別子タイプ | PISSN | |||||
| 収録物識別子 | 0287-9727 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN0006019X | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
