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ニョロ語の単音節動詞の声調について
http://hdl.handle.net/10965/00010426
http://hdl.handle.net/10965/000104267c2a6aa1-3800-4580-9b9f-fba549aeb89f
名前 / ファイル | ライセンス | アクション |
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AHSUSK_HS_51_189.pdf (531.4 kB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2020-08-21 | |||||
タイトル | ||||||
タイトル | ニョロ語の単音節動詞の声調について | |||||
言語 | ja | |||||
タイトル | ||||||
タイトル | Do we need to postulate a different tone pattern for monosyllabic verbs in Nyoro? | |||||
言語 | en | |||||
言語 | ||||||
言語 | eng | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | ニョロ語 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 活用 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 声調 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 不定形 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 単音節動詞 | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | conjugation | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | infinitive | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | monosyllabic verbs | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | Nyoro | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | tone | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
著者 |
梶, 茂樹
× 梶, 茂樹 |
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抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | Nyoro, a Bantu language of western Uganda, has two tone patterns for nouns; tone pattern A in which an underlying H is placed on the ultimate syllable of words, and tone pattern B in which an underlying H is placed on the penultimate syllable of words. All verb infinitives (or gerunds) have tone pattern B except monosyllabic verbs, which curiously have tone pattern A. The aim of this paper is to determine the reason monosyllabic verbs have tone pattern A and all the other longer verbs, including monosyllabic verbs themselves extended by other elements, exhibit tone pattern B. It was concluded that the formative -ku- (class 15 nominal prefix), which is used as a tense/aspect/mood marker including the infinitive, is incapable of having an underlying H even when it is in the penultimate syllable; rather, the ultimate syllable receives the underlying H, thus exhibiting tone pattern A. However, there is one counter example which seems to indicate that the formative -ku-, starting from its use as a verb infinitive marker, has partially become a true tense/aspect/ mood marker, and can have an underlying H similar to other tense/aspect/mood markers, such as -ka- in the remote past, which has an underlying H even in the penultimate syllable conjugated with monosyllabic verbs. | |||||
書誌情報 |
京都産業大学論集. 人文科学系列 巻 51, p. 189-205, 発行日 2018-03 |
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出版者 | ||||||
出版者 | 京都産業大学 | |||||
ISSN | ||||||
収録物識別子タイプ | PISSN | |||||
収録物識別子 | 0287-9727 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AN0006019X | |||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 |